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Comic Creators' Viewing Habits

 

Comics have permeated every corner of our entertainment landscape. From the box office triumphs of superhero films like Wonder Woman and Spider-Man: Homecoming to the plethora of television series featuring iconic characters such as Marvel’s Agents of S.H.I.E.L.D. , The Flash , Luke Cage , and Legion , it's clear that comic book heroes are a dominant force in popular culture. But comics are not just about capes and cowls; they span a wide array of genres, with many adaptations that don't require a mask or a superpower.

 

However, what do the creative minds behind these beloved characters watch? What shows do they turn to for inspiration, and which ones do they enjoy for pure relaxation? With San Diego Comic-Con International, a four-day extravaganza celebrating comics and pop culture, currently underway, we decided to ask some of the industry's top talent about their streaming habits. Here’s what they shared. If you're missing out on the Comic-Con experience, perhaps their recommendations will inspire your next binge-watching session.

 

 

 

 

Netflix’s GLOW has become a creative catalyst for comic industry professionals, blending 1980s nostalgia with sharp character dynamics. \n\nKieron Gillen ( Star Wars: Doctor Aphra ) describes the series as “popcorn television perfected,” emphasizing its brisk 30-minute episodes as a palate cleanser from sprawling prestige dramas. His three-day viewing spree mirrors the show’s own addictive rhythm. \n\nFor America artist Joe Quinones, the ensemble’s chemistry offered unexpected parallels to superhero team dynamics, fueling his approach to collaborative storytelling in Marvel’s comics. \n\nRussell Dauterman ( The Mighty Thor ) revels in the show’s campy excesses, from synth-heavy musical cues to Zoya the Destroya’s melodramatic Russian accent—a voice he’s “unable to quit quoting” long after credits roll. \n\nTogether, these creators highlight how GLOW ’s humor, pacing, and visual flair transcend entertainment, sparking inspiration across panels and screens alike.

 

 

 

 

Paul Cornell, writer of Saucer State and Vampirella , is captivated by American Gods . He praises the balance between narrative, characters, and episodic nature, alongside its visuals and performances.

 

 

Steve Orlando, known for his work on Supergirl and Justice League of America , finds inspiration in Fitzcarraldo . He admires the collaboration of Herzog and Kinski, seeing the film as a metaphor for the creative struggles with unyielding ideas.

 

 

Chris Burnham, cover artist for Teen Titans and writer of E is for Extinction , enjoys Unsolved Mysteries . He highlights its iconic theme song and Robert Stack's commentary perfectly, suited for work and showcasing the pinnacle of '80s and '90s true crime.

 

 

 

 

Kelly Thompson, known for her work on Hawkeye and Jem and the Holograms: Infinite , is captivated by The Handmaid's Tale , which she finds exceptional and deeply personal as a woman.

 

 

Marc Guggenheim, writer of X-Men: Gold and executive producer of Arrow , also praises The Handmaid's Tale for its compelling narrative, stunning visuals, and superb acting, making it a must-watch show.

 

 

Ben Acker, writer of Death Be Damned and Deadpool v Gambit , joins the trend, watching The Handmaid's Tale due to its chilling and beautiful portrayal of a dystopian society.

 

 

 

 

Chris Roberson, known for his work on The Visitor: How and Why He Stayed and iZombie , finds solace in Miss Fisher’s Murder Mysteries . The series, with its charming characters, period costumes, and lively jazz age soundtrack, provides a perfect escape from the day's worries. Each episode wraps up neatly, leaving viewers with a satisfying sense of closure.

 

 

Gerry Duggan, acclaimed for his writing on Deadpool and All-New Guardians of the Galaxy , is currently engrossed in Fortitude and The Keepers . He recommends going into Fortitude with minimal prior knowledge, as the first season was particularly enjoyable, though he remains uncertain about the second. For The Keepers , Duggan describes it as both amazing and awful, a mix he calls "awfulazing." As a recovering Catholic, he finds the series to be a challenging but compelling watch.

 

 

Christina Strain, the creative mind behind Generation X and The Magicians , is a fan of Please Like Me . She appreciates its blend of humor, awkwardness, and realism. Despite the characters' flaws, their genuine hearts make them relatable and easy to root for, making the show a fantastic viewing experience.

 

 

 

 

Comic Creators and TV Shows

 

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Brian Michael Bendis

 

 

Writer: Defenders, Jessica Jones, Spider-Man

 

 

Watching: Oh, Hello on Broadway

 

 

It's a Broadway show by John Mulaney and Nick Kroll that is everything a comedy nerd, theater nerd, and a Jewish person could ever want in the world and I'm all of those things.

 

 

Tim Seeley

 

 

Writer: Nightwing, Revival

 

 

Watching: Castlevania

 

 

I care not at all about this old video game, but it has vampires, and it's written by comic book legend Warren Ellis, so I'm giving it a shot. Dig the dialogue, not in love with the designs.

 

 

 

 

From the minds behind iconic superhero tales to crime sagas, television’s boldest narratives are captivating comic creators.\n\nNoah Hawley’s Legion and the surreal revival of Twin Peaks have become obsessions for writers like Chris Yost ( Thor: The Dark World ). Both series subvert traditional storytelling, offering unpredictability that defies genre conventions—a breath of fresh air for audiences craving innovation.\n\nMeanwhile, Charles Soule ( Daredevil , Star Wars: Poe Dameron ) dives deeper into David Lynch’s universe, revisiting the original Twin Peaks on Netflix before its mind-bending revival. The show’s fearless weirdness, he notes, reshapes how viewers engage with narrative itself.\n\nOn the grittier side, Sam Humphries ( Green Lanterns ) binge-watches TNT’s Animal Kingdom , a sun-soaked drama about a dysfunctional clan of thieves. Ellen Barkin’s ruthless matriarch and the series’ chaotic energy, he says, make it irresistibly bingeable.\n\nThese creators highlight TV’s evolving landscape—where superheroes, surrealism, and crime sagas collide in unexpected ways.

 

 

 

 

Cover artist Kevin Wada, known for his work on Iceman , has been engrossed in the series Fargo . He finds it to be a masterful blend of surreal and honest storytelling, with each season offering a unique, dark, and witty narrative. The world-building and scriptwriting, he notes, are exceptionally crafted.

 

 

Kelly Sue DeConnick, the writer behind Bitch Planet and Pretty Deadly , is currently hooked on The Great Courses Plus . She's particularly fond of the lecture series "Secrets of Great Mystery and Suspense Fiction," which she's watched so many times that she can almost recite them from memory. Recently, she started a new course on the founding fathers and is looking forward to diving into one about utopias and dystopias in fiction.

 

 

Chris Sims, co-writer of X-Men '92 and Deadpool: Bad Blood , has been revisiting Star Trek: The Next Generation . After a recent convention where he and his co-writer, Chad Bowers, spent most of their time discussing the show, Sims decided to rewatch it. Interestingly, his friend and podcast co-host, Matt Wilson, is also rewatching TNG , but with a twist: he only watches episodes featuring Riker. According to Sims, this is a pretty solid strategy, given the bizarre situations Riker often finds himself in.

 

 

Christopher Hastings, the creative mind behind The Unbelievable Gwenpool and I Am Groot , is a fan of the British TV show Spaced . Directed by Edgar Wright, the series remains hilarious and charming, with memorable characters. During his recent viewing, Hastings noticed how many elements from the show served as a proof of concept for Wright’s later films, such as Shaun of the Dead . He also had a memorable moment yelling a particular line at a Star Wars reference, leaving the specifics to the viewer’s imagination.

 

 

Why is Viki Blocked?

 

Viki is a popular streaming platform offering a diverse library of international TV dramas and films. However, Viki blocked refers to situations where users encounter restricted access due to regional licensing agreements or technical limitations such as server overload, which can disrupt playback and limit availability in specific areas.

 

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How to Get Viki Unblocked Using SafeShell VPN

 

To start enjoying Viki's content from different regions, the first step is to subscribe to SafeShell VPN . Visit the SafeShell VPN website and choose a subscription plan that suits your needs. After selecting your plan, click on "Subscribe Now" to complete the process. Once you have subscribed, you need to download and install the SafeShell VPN app. Go to the SafeShell VPN website, select your device type, and download the appropriate version of the app for your device.

 

After installing the app, launch it and log in with your account credentials. SafeShell VPN offers two modes, and for the best experience while streaming Viki, it is recommended to use the APP mode. Next, browse the list of available servers and select one located in the region where the Viki content you want to access is available, such as the US, UK, or Canada. Click on "Connect" to establish a secure connection to the chosen server. Finally, open the Viki app or visit the Viki website, log in with your Viki account, and start enjoying the content from the selected region.